Maskros

A landmark for Flemingsberg.

A LED lit 16 meter dandelion gracefully swings in the wind.
The Crown changes its colours. This is done dynamically through a live database contact.

The shape of the structure is fiberglass and its shape gives a strong resemblance to a dandelion (maskros in swedish). It has a kinship to the way braincells are depicted. This shape is also used in the way we describe diagrams and thought processes as networking. Its form cannot but be inspiring. LED technique used is used in the most advanced technological applications and can easily controlled to give any colour light.

A kind of thermometer.

The slogan “From brain to business” suits the project perfectly.
The structure is connected to a database. The data of the database is significant and to illustrate we give here a few examples: The colour of the crown changes depending on the amount of children born in the community, or the telephone calls done from the area, or the business transactions of the day, Nasdac course, the price of gold, the CO2 emissions in the area. The dandelion has also anothe r function: it generates electricity. Using piezoelectric technology the structure can in slight winds produce with each straw small electrical charges. Added together it can be a electricity generator.

The “dandelion” measures. What it measures can be decided specifically to a moment or a topic of interest. The structure is a suffice to say a way for the community to voice a thought.

It makes good sense to choose LED technique and piezoelectric technology. Its embodies technology and has a low cost for maintenance.

The technique
Wikipedia has someMaskros useful information of the uses of LED Light-emitting diode.
The Dandelion at night
Maskros by day
The Dandelion during daylight
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The Dandelion view from the bridge
Maskros detail
The Dandelion detail
Maskros base
The Dandelion base, made with mosaic

Food Postcard

We are:
Adam Somlai-Fischer, Jonas Öquist & Daniel Wetter

Invite your neighbour for a plate of risotto.
Half of the cost of the postcard goes to people in need.

The project objective of sending money to regions in need using existing
and well established international organizations. We produce the food
postcards. You can invite a friend or simply can go to the nearest post
office to post it to someone you like.

Idea sketch

The popular rice-postcard, ready to post.

Parameter

Pollution Badges
We are:
Adam Somlai-Fischer, Jonas Öquist & Daniel Wetter

Parameter Badges give precise readings of various pollutants.
1.- Radiation Bq
2.- Tobacco Smoke
3.- Carbon dioxide
4.- Noise
5.- Ultraviolet light
6.- Mobile traffic
7.- Thank you Carl Michael von Hausswolf
8.- Mirror

Future projects
Delivering information using similar technology; this time about unspecified
origin of pollutant.

Idea sketch

Parameter Badges are state of the art instruments, designed by top designers.
A must if you are pro-health.

 


Train of Thought

 

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We are:
Adam Somlai-Fischer, Jonas Öquist & Daniel Wetter

A train is seen approaching a railway crossing. On its side a short message
is displayed.
It reads: Det är omöjligt att vara förälskad och
klok på sammam gång. / Francis Bacon

We use scrolling LED indication Data Display technology. The object is
to exhibit a variety of quotations so they appear to travel at a slightly
lower speed than the train.

The quotations are generated dynamically from a list of aphorisms, truisms
or adjectives describing wine, food, love or fear (without necessarily
revealing that which we are describing). An option may be to describe
with a negation, or even a double negation?

Future projects
Delivering messages using similar technology; this time on the wheels
of buses, cars, baby trolleys, bicycles, wheelchairs, electric fans, helicopter
propeller, etc.

Resist being surprised to read a Spinoza quotation: “All things
excellent are as difficult as they are rare”
at a location as
unexpected and ephemeral as on the side of a train.

 

 

Pump

We are:
Adam Somlai-Fischer, Jonas Öquist & Daniel Wetter

The pump tower makes use of the energy of the bodybuilders to pump water
to a cistern above. The water is an measurable source of energy. The structure
is a monument to the irony of the effort. The energy waste in training
with machines that produce absolutely nothing.

The energy produced by the release of the water can be used to illuminate
Humlegården park at night or power a fountain.

 

Interaction Hacking

Interaction Hacking from Adam Somlai-Fischer on Vimeo.

2 day workshop at Konstfack University, Stockholm, in 2005, held by Adam Somlai-Fischer and Jonas Öquist. 1st year product design students created simple but functioning interactive objects by hacking cheap electronic toys

Linnéa Jörpeland

Helena Burman har given form to Linnéa Jörpeland’s catalogue.

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Concrete Samples critiques at Ulriksdal flowershow

Idéträdgård på Ulriksdal Flower Show 2004
Daniel Wetter med Emma Pettersson & Anna Ã…kerberg

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Krukorna ligger utrullade i gräset. Betongplattorna flyter bortglömda över den vilda marken.

Gräset och vilda blommor från lunden växer in mellan plattorna. De ger illusionen av att ha legat länge, bortglömda. På platsen finns kvar spår från något tidigare.

Kanske en trädgård. Krukorna har med tiden utvecklat egna mikrobiotoper som har sitt ursprung i skogen. Ibland är biotopen modifierad kanske förstärkt eller koncentrerad. De tre elementen lunden, skogen och trädgården, det som är, det som kommer och det som var, bildar tillsammans något nytt.

Take a look at Per Ranch concrete design

Fredrik Wretmans katalog

Skärets konsthalls jungfruutställning på Skärets konsthall, Skäret 4 maj 2002.
Ur Katalogens introduktion skriven av Gunhild Stensmyr:

“Detta konsthäfte är en viktigt del i konsthallens ambition att vara en pedagogisk röst i samtidskonstens sinnrika labyrint. Ett varmt tack till Håkan Nilsson, konstkritiker på Dagens Nyheter, som i denna bok nedtecknat sina reflektioner av Fredrik Wretmans konstnärskap.”

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Ladda utställningskatalogen

Royal Art Force

Dunderdog has done The art group Royal Art Force catalogue 2001.

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Catalogue cover

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Artists:
Charlotte Gyllner
Birgitta Silfverhielm
Eva Marklund
Helena Burman

Design & Form: Daniel Wetter